The Polaroid was never really the point- it was always about the feeling of the final image. If the campaign was meant to be very natural and shot outside, I tried to stay close to that when I took the picture. Chasing the same light, or something like it. And when the light faded, I would turn to tungsten- warmer, softer, closer to skin. Giorgio Armani Fragrance casting My studio, then Chinatown 182 Lafayette Street Mid-90s casting Polaroid Diane Kruger | Jennifer Starr Casting